Possessing a knack for adventurous yet accessible programming, enhakē (in-HA-kee) has consistently distinguished itself with performances of startling intensity. Drawing its name from the Seminole (Creek) word for sound or call, enhakē has been praised for its “playing of the very highest caliber” (Fanfare) and “keen instinct for exciting programmes” (BBC Music Magazine).
Their 2010 Carnegie Hall recital Made in America was lauded for its "rock solid rhythmic integrity...strengths in balance, intonation, and musicality” and described as a “polished, yet spontaneous performance" (The New York Concert Review). The grand-prize winner of the Yellow Springs Chamber Music Competition (2009), gold medalist of the International Chamber Music Ensemble Competition at Carnegie Hall (2008), and finalist of the Osaka International Chamber Music Competition and Festa (2011), enhakē has successfully toured on three continents and in some of the world’s most exciting venues including: NYC’s Carnegie Hall, at the OK Mozart Festival, South Korea’s Young-San Arts Hall, the Pan-Music Festival at the Seoul Arts Center, and the Promising Artists of the 21st Century Series in Costa Rica under the auspices of the US Department of State and Costa Rica—North America Cultural Center.
They were previously the ensemble-in-residence for the Albany Symphony Orchestra (GA) and Tallahassee Youth Orchestras (FL). To celebrate the former group’s 50th Anniversary, enhakē premiered a concerto entitled Thronateeska that was commissioned for the occasion and written for them by Steve Landis. In addition to this composition, the quartet has worked with leading composers such as Libby Larsen, Peter Lieuwen, and Edward Knight who have written for and/or dedicated music to the group.
enhakē has produced CDs for the MSR, Naxos, and Emeritus labels, which can be heard on NPR stations across the United States, Sirius XM, and Korean Broadcasting System 1FM. Their latest CD Prepárense: The Piazzolla Project has been described as “positively delightful…[t]he sense of ensemble is near-miraculous” (Fanfare).
Recently the group has enjoyed engagements with the Durango Chamber Music Festival, Chamber Music Society of Logan, at Colorado Mesa University, International Clarinet Association ClarinetFest, and at the CMS International Conference in Buenos Aires, Argentina. Upcoming season highlights include their debut in New Mexico as part of 3rd Avenue Arts’ 2016-17 season and a performance at the CMS National Conference in Santa Fe, NM.
For more information, visit their website at www.enhake.com.
Their 2010 Carnegie Hall recital Made in America was lauded for its "rock solid rhythmic integrity...strengths in balance, intonation, and musicality” and described as a “polished, yet spontaneous performance" (The New York Concert Review). The grand-prize winner of the Yellow Springs Chamber Music Competition (2009), gold medalist of the International Chamber Music Ensemble Competition at Carnegie Hall (2008), and finalist of the Osaka International Chamber Music Competition and Festa (2011), enhakē has successfully toured on three continents and in some of the world’s most exciting venues including: NYC’s Carnegie Hall, at the OK Mozart Festival, South Korea’s Young-San Arts Hall, the Pan-Music Festival at the Seoul Arts Center, and the Promising Artists of the 21st Century Series in Costa Rica under the auspices of the US Department of State and Costa Rica—North America Cultural Center.
They were previously the ensemble-in-residence for the Albany Symphony Orchestra (GA) and Tallahassee Youth Orchestras (FL). To celebrate the former group’s 50th Anniversary, enhakē premiered a concerto entitled Thronateeska that was commissioned for the occasion and written for them by Steve Landis. In addition to this composition, the quartet has worked with leading composers such as Libby Larsen, Peter Lieuwen, and Edward Knight who have written for and/or dedicated music to the group.
enhakē has produced CDs for the MSR, Naxos, and Emeritus labels, which can be heard on NPR stations across the United States, Sirius XM, and Korean Broadcasting System 1FM. Their latest CD Prepárense: The Piazzolla Project has been described as “positively delightful…[t]he sense of ensemble is near-miraculous” (Fanfare).
Recently the group has enjoyed engagements with the Durango Chamber Music Festival, Chamber Music Society of Logan, at Colorado Mesa University, International Clarinet Association ClarinetFest, and at the CMS International Conference in Buenos Aires, Argentina. Upcoming season highlights include their debut in New Mexico as part of 3rd Avenue Arts’ 2016-17 season and a performance at the CMS National Conference in Santa Fe, NM.
For more information, visit their website at www.enhake.com.
The Red Shoe Trio (M. Brent Williams, violin; Katherine Jetter, cello; Lisa Campi-Walters, piano) is in residence at Fort Lewis College and performs regularly in Durango, CO and its surrounding areas.
Dr. Lisa Campi-Walters has performed and adjudicated throughout North America, and has given lecture recitals for such organizations as the National Music Teachers Association. She has played recitals for the Chautauqua Institute in New York, the Scotia Festival of Music in Nova Scotia, for CBC radio, for the National Public Radio on WBFO: for the “Opus, Classics Live” series at the University of Buffalo, and for the “Piano Bench” series on KPBX, Spokane Public Radio. A native of Silver Spring, Maryland, Dr. Campi received her BM from Indiana University, her MM from the University of Maryland. She recieved her DMA from he Eastman School of Music where she studied with Rebecca Penneys. Dr. Campi currently serves as conservatory faculty for the Music in the Mountains Festival and as the keyboardist for the San Juan Symphony Orchestra, and regularly performs as the pianist for the Red Shoe Trio of Fort Lewis College. Dr. Campi is also the founder, Artistic Director, and one of the adjudicators for the Four Corners Piano Competition at Fort Lewis College. As a member of the Taliesin Piano Trio, Dr. Campi participated in the National Endowment for the Arts/Chamber Music America rural residency in Blytheville, Arkansas. The members of the Taliesin Trio were active throughout Arkansas as performers, clinicians and teachers, and began a concert series entitled, “Composers in their Own Words.” Lisa is also a vigorous advocate for the music of our time, has performed a wide range of solo and chamber works by leading contemporary composers, and has been associated with several modern music ensembles, including “Ossia” in Rochester, New York, and “Zephyr” in Spokane, Washington.
After receiving both the Bachelor of Music degree in Cello Performance and the Bachelor of Arts degree in Applied Mathematics from East Carolina University, Dr. Katherine Jetter earned the Master of Music and in 2003 the Doctor of Music degree in Cello Performance from Florida State University. Dr. Jetter did her primary musical training with Selma Gokcen, Andrew Luchansky, and Lubomir Georgiev. She has performed in master classes of Janos Starker, Tsuyoshi Tsutsumi, Channing Robbins, and Stephen Doane. Dr. Jetter’s chamber and solo experiences include performances with the International Cello Festival Master Classes in Kronberg, Germany, the Killington Chamber Music Festival, the Alfred Chamber Music Institute, the Florida State New Music Festival, the Red Shoe Trio (Fort Lewis Faculty Trio), the Alexander Murray Recital Series, and the Tischhauser-Shelly Ensemble. She was the cellist for the Camellia String Quartet for two years during which time the ensemble placed in the finals of the Carmel Chamber Music Competition. In the position of principal cellist she has played in the San Juan Symphony, the Florida State Symphony Orchestra, and the Showcase Chamber Ensemble. Other orchestras Dr. Jetter has been a member of include the Tallahassee Symphony, the New Carolina Sinfonia, the Tar River Orchestra, the National Opera Company Orchestra, the Music in the Mountains Festival Orchestra, and the Santa Fe Symphony. Currently, Dr. Jetter resides in Durango, Colorado. She is Associate Professor of Cello and Music Theory at Fort Lewis College. In addition to her duties at the college she actively teaches in the Four Corners area through private lessons at Katzin Music and the Conservatory Music in the Mountains. Organizing an area honor’s chamber orchestra festival, hosting in-service days for area string teachers, and sponsoring guest clinicians such as the Raphael Trio, the Eroica Trio, the Trio con Brio, and Crystal Plohman have been other means of educational outreach for enriching the community by Dr. Jetter. Her performance schedule is filled with solo recitals, Red Shoe Piano Trio recitals, the San Juan Symphony, the Durango Bach Festival and Chamber Music Festival, the Soundscapes Chamber Festival, and the national touring Tischhauser-Shelly Ensemble. She has recorded rock albums with Formula 151 and Greg Doyles and will soon be recording with Lisa Blue. She was the secretary of the Colorado ASTA with NSOA chapter for six years and is an active clinician in Colorado and New Mexico. During the summer of 2003 Dr. Jetter presented a clinic on cello pedagogy at the CASTA conference and in 2004 she presented a session on "Versatile Cellists" at the National Studio Teachers Forum. In February 2005 she led another session on cello pedagogy and shifting at the National ASTA Conference in Reno. During her sabbatical in 2006 Dr. Jetter performed and presented master classes at University of New Mexico, Meredith College, East Carolina University, UNC-Greensboro, Salem College, and Williams College. She has done extensive research on contemporary techniques in string literature and cello pedagogy and actively continues this research.
Dr. Lisa Campi-Walters has performed and adjudicated throughout North America, and has given lecture recitals for such organizations as the National Music Teachers Association. She has played recitals for the Chautauqua Institute in New York, the Scotia Festival of Music in Nova Scotia, for CBC radio, for the National Public Radio on WBFO: for the “Opus, Classics Live” series at the University of Buffalo, and for the “Piano Bench” series on KPBX, Spokane Public Radio. A native of Silver Spring, Maryland, Dr. Campi received her BM from Indiana University, her MM from the University of Maryland. She recieved her DMA from he Eastman School of Music where she studied with Rebecca Penneys. Dr. Campi currently serves as conservatory faculty for the Music in the Mountains Festival and as the keyboardist for the San Juan Symphony Orchestra, and regularly performs as the pianist for the Red Shoe Trio of Fort Lewis College. Dr. Campi is also the founder, Artistic Director, and one of the adjudicators for the Four Corners Piano Competition at Fort Lewis College. As a member of the Taliesin Piano Trio, Dr. Campi participated in the National Endowment for the Arts/Chamber Music America rural residency in Blytheville, Arkansas. The members of the Taliesin Trio were active throughout Arkansas as performers, clinicians and teachers, and began a concert series entitled, “Composers in their Own Words.” Lisa is also a vigorous advocate for the music of our time, has performed a wide range of solo and chamber works by leading contemporary composers, and has been associated with several modern music ensembles, including “Ossia” in Rochester, New York, and “Zephyr” in Spokane, Washington.
After receiving both the Bachelor of Music degree in Cello Performance and the Bachelor of Arts degree in Applied Mathematics from East Carolina University, Dr. Katherine Jetter earned the Master of Music and in 2003 the Doctor of Music degree in Cello Performance from Florida State University. Dr. Jetter did her primary musical training with Selma Gokcen, Andrew Luchansky, and Lubomir Georgiev. She has performed in master classes of Janos Starker, Tsuyoshi Tsutsumi, Channing Robbins, and Stephen Doane. Dr. Jetter’s chamber and solo experiences include performances with the International Cello Festival Master Classes in Kronberg, Germany, the Killington Chamber Music Festival, the Alfred Chamber Music Institute, the Florida State New Music Festival, the Red Shoe Trio (Fort Lewis Faculty Trio), the Alexander Murray Recital Series, and the Tischhauser-Shelly Ensemble. She was the cellist for the Camellia String Quartet for two years during which time the ensemble placed in the finals of the Carmel Chamber Music Competition. In the position of principal cellist she has played in the San Juan Symphony, the Florida State Symphony Orchestra, and the Showcase Chamber Ensemble. Other orchestras Dr. Jetter has been a member of include the Tallahassee Symphony, the New Carolina Sinfonia, the Tar River Orchestra, the National Opera Company Orchestra, the Music in the Mountains Festival Orchestra, and the Santa Fe Symphony. Currently, Dr. Jetter resides in Durango, Colorado. She is Associate Professor of Cello and Music Theory at Fort Lewis College. In addition to her duties at the college she actively teaches in the Four Corners area through private lessons at Katzin Music and the Conservatory Music in the Mountains. Organizing an area honor’s chamber orchestra festival, hosting in-service days for area string teachers, and sponsoring guest clinicians such as the Raphael Trio, the Eroica Trio, the Trio con Brio, and Crystal Plohman have been other means of educational outreach for enriching the community by Dr. Jetter. Her performance schedule is filled with solo recitals, Red Shoe Piano Trio recitals, the San Juan Symphony, the Durango Bach Festival and Chamber Music Festival, the Soundscapes Chamber Festival, and the national touring Tischhauser-Shelly Ensemble. She has recorded rock albums with Formula 151 and Greg Doyles and will soon be recording with Lisa Blue. She was the secretary of the Colorado ASTA with NSOA chapter for six years and is an active clinician in Colorado and New Mexico. During the summer of 2003 Dr. Jetter presented a clinic on cello pedagogy at the CASTA conference and in 2004 she presented a session on "Versatile Cellists" at the National Studio Teachers Forum. In February 2005 she led another session on cello pedagogy and shifting at the National ASTA Conference in Reno. During her sabbatical in 2006 Dr. Jetter performed and presented master classes at University of New Mexico, Meredith College, East Carolina University, UNC-Greensboro, Salem College, and Williams College. She has done extensive research on contemporary techniques in string literature and cello pedagogy and actively continues this research.
The Park-Williams Duo (M. Brent Williams, violin; Eun-Hee Park, piano) has been performing together since 2007 having met at FSU during their graduate school stints. Their repertoire spans the Baroque, Classical, and Romantic eras all the way up to the most thrilling contemporary works. They have performed as a duo at leading venues and universities in Georgia, Florida, North Carolina, and at the OK Mozart International Music Festival.
Eun-Hee Park, a prizewinner of the Competition Internationale in Santa Fe, is frequently in demand as a soloist, chamber musician and collaborative pianist. Since winning Oklahoma’s Young Artists Competition, Park has been featured as a soloist on numerous occasions, including a concerto appearance with the Oklahoma City Orchestra. Park has participated in the Corsi Internazionali di Musica (University of Urbino, Italy) and played in master classes for Margo Garrett, David Koreyaar, Renato Premezzi, Daniel Epstein, Daniel Pollack, Robert Marler, Tanya Bannister, Peter Miyamoto and the Merling Trio. Park received her MM degree with high honors at Wanda L. Bass School of Music at Oklahoma City University and her BA degree at Mesa State College (CO) where she graduated summa cum laude. Her teachers include Amy I-Lin Cheng, Ernestine, and Michael Baron. She completed her Doctoral degree in the Accompanying/Chamber Music program at Florida State University under the tutelage of Carolyn Bridger and has been on the faculty of the University of Southern Mississippi and Chapel Hill Chamber Music Workshop.
Eun-Hee Park, a prizewinner of the Competition Internationale in Santa Fe, is frequently in demand as a soloist, chamber musician and collaborative pianist. Since winning Oklahoma’s Young Artists Competition, Park has been featured as a soloist on numerous occasions, including a concerto appearance with the Oklahoma City Orchestra. Park has participated in the Corsi Internazionali di Musica (University of Urbino, Italy) and played in master classes for Margo Garrett, David Koreyaar, Renato Premezzi, Daniel Epstein, Daniel Pollack, Robert Marler, Tanya Bannister, Peter Miyamoto and the Merling Trio. Park received her MM degree with high honors at Wanda L. Bass School of Music at Oklahoma City University and her BA degree at Mesa State College (CO) where she graduated summa cum laude. Her teachers include Amy I-Lin Cheng, Ernestine, and Michael Baron. She completed her Doctoral degree in the Accompanying/Chamber Music program at Florida State University under the tutelage of Carolyn Bridger and has been on the faculty of the University of Southern Mississippi and Chapel Hill Chamber Music Workshop.
As their name suggests, The Antheil Duo (M. Brent Williams, violin; Doug Jurs, piano) bonded over their mutual admiration of contemporary music (especially that of American composers) and aim to bring these undervalued, and largely unknown, masterworks to new audiences. Their recent recitals have taken them to Georgia and Florida and they are planning upcoming tours of Vermont, Honduras, and India for this upcoming season.
Chicago born pianist Douglas Jurs was appointed Assistant Professor of Piano and Music Theory at Abraham Baldwin Agricultural College in Fall 2012, having previously served on the faculties of the University of Wisconsin – Madison and Edgewood College. His degrees are from The University of Wisconsin, Cleveland Institute of Music, and Indiana University – Bloomington, where he double majored in Piano and English was awarded a Friends of Music Fellowship. Dr. Jurs has performed solo and collaborative recitals throughout the United States and Europe, and at such festivals as the International Holland Music Sessions, Banff Centre for the Arts, Aspen Music Festival and others. He won First Prize at the 2004 Lee Biennial Piano Competition and in 2010 was winner of the University of Wisconsin Beethoven Competition. While a graduate student in Cleveland, Dr. Jurs served as an Associate Artist with Cleveland Opera, performing in over a hundred touring opera productions throughout the state. Since moving to Georgia in 2012, Dr. Jurs has enjoyed performing throughout the Southeast with colleagues from Atlanta, Macon, Athens, and Valdosta. He continues to serve as Artistic Director of the Blue Horse Music Festival in Woodstock, Vermont, where he presents and performs alongside leading musicians from New York’s classical and new music scenes in the intimate Blue Horse Inn music parlor.
Chicago born pianist Douglas Jurs was appointed Assistant Professor of Piano and Music Theory at Abraham Baldwin Agricultural College in Fall 2012, having previously served on the faculties of the University of Wisconsin – Madison and Edgewood College. His degrees are from The University of Wisconsin, Cleveland Institute of Music, and Indiana University – Bloomington, where he double majored in Piano and English was awarded a Friends of Music Fellowship. Dr. Jurs has performed solo and collaborative recitals throughout the United States and Europe, and at such festivals as the International Holland Music Sessions, Banff Centre for the Arts, Aspen Music Festival and others. He won First Prize at the 2004 Lee Biennial Piano Competition and in 2010 was winner of the University of Wisconsin Beethoven Competition. While a graduate student in Cleveland, Dr. Jurs served as an Associate Artist with Cleveland Opera, performing in over a hundred touring opera productions throughout the state. Since moving to Georgia in 2012, Dr. Jurs has enjoyed performing throughout the Southeast with colleagues from Atlanta, Macon, Athens, and Valdosta. He continues to serve as Artistic Director of the Blue Horse Music Festival in Woodstock, Vermont, where he presents and performs alongside leading musicians from New York’s classical and new music scenes in the intimate Blue Horse Inn music parlor.
